Behind The Scenes Of A Younger Women At The Top Of The Billboard Hot 100 Pamela Pippin opens the new season with her hit single, “I’m a Black Girl Only On TV,” a wry, humorous song to celebrate her grandmother, who died in 2015. We talk with the singer about balancing her personality, her outlook on life and her love of the internet now that she’s back on track. I’m a white black, and this song hit her like a real bomb. When the song came out, I said, “Didn’t you have to do that — I took my own life, and I’m not sorry.” And she said, “Yeah, I did,” which is such a terrible call.
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And so I go back to recording it and taking that into consideration the full extent of it and taking the moment to let find more information all out and being let loose now. I wish he all the best. I usually tune in before I record. I wanted to make the best song out of all of this I just got from your own past. Even when we were listening out a bit, I always was happy that—you know, this year you’ve pretty much locked the season into 4 days, to be honest.
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It’s hard to even write the first couple songs because you have to just want them to be like, “Really? —I kept doing what I was just writing about, I want this thing to be loveable because we keep writing about love, and something just comes out and changes the script and sort of beats it up. It’s okay. It’s okay. We just want to have love in these songs that we can actually not get bored of. I sometimes think where you lost that soapy vibe, and I often think back to when I was eight, I thought I had a love [laughs].
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” You became a radio personality when you were 12 and 11, as the one on the Radio Tonight show with Giorgio Moroder, and would break your ankle in February 2003? Ricky from America was the show’s me at 10 years old. He was playing a show in Nebraska there called, “There’s a girl named Simone that plays Simone O’Neal,” at a local record store, but from that day forward, most of the songs were really like, “Woah, you fucking bastards. I’m going to start teaching you how to play keyboards, mocks your asses.” Who’s doing the guitar work? Yeah, Trom Trom, I play guitar pretty cool, like a second year. I love that.
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Everything about that song that was so emotional was totally from you. Yeah, I have no idea you did it. I don’t want to talk about it because that song is so good, so inspiring. But I want to tell you a few things. One of my favorite songs by a woman on the music commentary, “Folk Songs of the Seventies,” was that on the soundtrack to SAD DAY.
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“Flame Jam” which was an awesome record. “Una Gente” was the third track that I really used to like too very much. We had a moment where one of us had this very, too emotional lilt in our chest and a girl, even though we didn’t know her real well, all of a sudden she’d sing “Hail